Dispossesions in the Americas

Dispossesions in the Americas

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Artwork

Model to Assemble and Disassemble a Water Fountain

  • Pando, Marco

Published: 2017

Media: Colored pencils, acrylic pens, watercolors, pencils, India ink, bibliographic index cards, paper, cardboard, and gesso. Collection of the Central Museum, Central Reserve Bank of Peru.

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Abstract

This painting relates to the territory by depicting the fragile intersection between natural ecosystems and human intervention in the Peruvian landscape. The work immerses the viewer in the dense, pulsating textures of the Amazon forest—only to reveal, at its heart, an engineered water system imposed onto the terrain. Figures with hoses spray water in coordinated gestures, suggesting both an effort to control and artificially reproduce nature. The title’s reference to a “model” underscores the temporary, even experimental, nature of these interventions—emphasizing the tension between environmental transformation and reversibility.

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Reading in Spanish

Artwork

Modelo para armar y desarmar una fuente de agua

  • Pando, Marco

Published: 2017

Media: Lápices de colores, lapiceros acrílicos, acuarelas, lápices, tinta china, fichas bibliográficas, papel, cartulina y gesso. Colección del Museo Central, Banco Central de Reserva del Perú.

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Reading in Portuguese

Artwork

Modelo para armar y desarmar una fuente de agua [Modelo para armar e desarmar uma fonte de água]

  • Pando, Marco

Published: 2017

Media: Lápis de cores, canetas acrílicas, aquarelas, lápis, nanquim, fichas bibliográficas, papel, cartolina e gesso. Coleção do Museu Central, Banco Central de Reserva do Peru.

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Resumo

Esta pintura se relaciona com o território ao representar a frágil interseção entre os ecossistemas naturais e a intervenção humana na paisagem peruana. A obra faz o espectador mergulhar nas densas e palpitantes texturas da selva amazônica, só para revelar, no núcleo, um sistema de água artificial imposto no terreno. Figuras com mangueiras borrifam água com gestos coordenados, sugerindo tanto uma tentativa de controle como uma reprodução artificial da natureza. A referência no título a um “modelo” sublinha o caráter temporal, e até experimental dessas intervenções, ressaltando a tensão entre a transformação ambiental e sua possível reversibilidade.

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Art Exhibit 2022

Dispossessions in the Americas

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