Dispossesions in the Americas

Dispossesions in the Americas

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Artwork

Sarcófago [Sarcophagus]

  • Zapata, Luis Fernando

Published: 1994

Media: Mixed technique

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Abstract

“The Sarcophagi were created during the last year and a half of his life, amid bouts of weakness and fatigue that forced the artist to abandon the studio for days and weeks at a time. Zapata had planned twelve from the beginning, all of which he completed. However, there is one left unfinished. It stands apart from the others in the series because it lacks paint and any additional elements or markings. This stripped-down yet meaningful object—the final point in a process filled with sorrow and pain—is the one that best illuminates both the whole and its parts; that is, the close relationship that existed and still exists between the other works we admire today and the stoic agony of Luis Fernando Zapata.” —Álvaro Medina

Citation

Zapata, Luis Fernando. 1994. 'Sarcófago [Sarcophagus]'. Dispossessions in the Americas. https://staging.dia.upenn.edu/en/art/ACOL029/

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Reading in Spanish

Artwork

Sarcófago

  • Zapata, Luis Fernando

Published: 1994

Media: Técnica mixta

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Reading in Portuguese

Artwork

Sarcófago

  • Zapata, Luis Fernando

Published: 1994

Media: Técnica mista

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Resumo

“Os Sarcófagos foram realizados no último ano e meio de vida do artista, entre recaídas e fadigas que o forçavam a abandonar seu ateliê durante dias e semanas. Zapata projetou fazer doze sarcófagos desde o início e o conseguiu. No entanto, há um deles sem concluir. Diferencia-se dos outros por carecer de tinta e de aditamentos ou marcas. Esse objeto despojado, mas significativo, é o ponto final de um processo cheio de penas e dores; é o que melhor esclarece o tudo e a parte, isto é, a estreita relação que existia e existe entre outras obras que hoje admiramos e a estoica agonia de Luís Fernando Zapata”. -Álvaro Medina

Citation

Zapata, Luis Fernando. 1994. 'Sarcófago'. Dispossessions in the Americas. https://staging.dia.upenn.edu/pt/art/ACOL029/

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