Dispossesions in the Americas

Dispossesions in the Americas

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Artwork

Happy Hour

  • Arias, Fernando

Published: 2012

Media: Wood, neon lights, stainless steel, glass, blood and semen

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Abstract

Happy Hour is an installation that invites reflection on the relationship between people living with HIV and the medications used to manage the disease. The first version of the piece was created for the launch of the so-called chemical “cocktail” to treat HIV at the XIX International AIDS Conference in Geneva, Switzerland (2012). The artist’s semen and blood represent a paradox: while they are traditionally symbols of fertility and life, in this context they symbolize illness and death. The piece thus reflects on the isolation caused by a terminal illness burdened by social prejudice.

Citation

Arias, Fernando. 2012. 'Happy Hour'. Dispossessions in the Americas. https://staging.dia.upenn.edu/en/art/ACOL009/

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Reading in Spanish

Artwork

Happy Hour

  • Arias, Fernando

Published: 2012

Media: Madera, luces de neón, acero inoxidable, vidrio, sangre y semen

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Reading in Portuguese

Artwork

Happy Hour

  • Arias, Fernando

Published: 2012

Media: Madeira, luzes de neon, aço inoxidável, vidro, sangue e sêmen

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Resumo

Happy Hour é uma instalação que convida a refletir sobre a relação entre as pessoas portadoras do HIV e os medicamentos para conter a doença. A primeira versão da obra foi realizada em ocasião do lançamento do chamado “coquetel” químico para tratar o HIV na XIX Conferência Internacional sobre AIDS em Genebra, Suíça (2012). O sêmen e o sangue do artista representam um paradoxo, pois, embora sejam símbolos de fertilidade e vida, neste contexto simbolizam doença e morte. A obra reflete sobre o isolamento causado por uma doença terminal sujeita a preconceitos sociais.

Citation

Arias, Fernando. 2012. 'Happy Hour'. Dispossessions in the Americas. https://staging.dia.upenn.edu/pt/art/ACOL009/

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Dispossessions in the Americas

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