Abstract
This dynamic sculpture forms a vast web, revealing both ties and fractures. Bridging the Industrial Revolution’s technical processes with the Semana de Arte Moderna’s artistic shifts, it explores the universal resonance of industrial sounds, echoing in work, friendships, and personal relationships. Created for the exhibition, the installation activates memories through performative encounters, offering a poignant reflection on the interplay between production dynamics, modern art, and the emotional landscapes of our lives.
“Sobre os vínculos invisíveis” (2022) weaves a tapestry of interconnected lines using seven transformed sewing machines, blending human and animal elements. This dynamic sculpture forms a vast web, revealing both ties and fractures. Bridging the Industrial Revolution’s technical processes with the Semana de Arte Moderna’s artistic shifts, it explores the universal resonance of industrial sounds, echoing in work, friendships, and personal relationships. Created for the exhibition, the installation activates memories through performative encounters, offering a poignant reflection on the interplay between production dynamics, modern art, and the emotional landscapes of our lives.
Citation
Edgar, Novíssimo. 2022. 'Sobre os vínculos invisíveis [On the Invisible Bonds]'. Dispossessions in the Americas. https://staging.dia.upenn.edu/en/art/ABRA035/

