Abstract
Emiliano Di Cavalcanti’s “Girls with Guitars” (1937) emerges as a celebration of the female form and its agency within the cultural fabric of Brazilian modernity. Deeply embedded in carioca bohemian life, Di Cavalcanti presents a vibrant portrayal of women engaged in musical pursuits. This dynamic depiction offers a fresh perspective on the art of the era, emphasizing the agency of Black women in shaping the cultural narrative. The painting becomes a poignant exploration of the influential role played by women, especially those of African descent, contributing to the richness and dynamism of Brazil’s cultural landscape during that transformative period
Di Cavalcanti, deeply connected to carioca bohemian life and Brazilian human types, offers a vibrant portrayal of women in various moments, presenting a fresh perspective for the art of that era. The painting captures a group of women musicians, reflecting on the agency of Black women in modernity. Di Cavalcanti’s work becomes a poignant exploration of the role and influence of these women, particularly those of African descent, in shaping the cultural landscape during that period.
